When love begins to loosen, and emotions slowly lose their gravity,
we choose to let imagery speak first.

The series #Adrift in Love , adapted from the novel by Wen-Yong HOU and directed by Fu chun HSU ,
translates states of emotion that are difficult to articulate in words
into visual forms of flow, fragmentation, and recurrence.

 

🎬 The first emotional entry point begins with the title sequence.We adopted a digitally painted, oil-like visual style,
reconstructing key scenes and emotional fragments from the series.
The imagery exists between realism and abstraction—like traces of memory, or feelings not yet spoken.

The title ultimately settles within the imagery of “desire as drifting sand”:
a deep crimson sea formed by the flow of longing, with a single white curve—shaped by the profiles of two faces winding through it. It is both the only path forward, and the fragile connection that has yet to break,
leading the characters toward the blooming red spider lily on the other side.

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當愛開始鬆動、情感逐漸失重，我們選擇先讓「意象」開口說話。

影集《#人浮於愛》，改編自#侯文詠 同名長篇小說，#徐輔軍 導演執導，將文字裡難以言說的情感狀態，化為影像中的流動、裂解與循環。

情感的第一道入口，從片頭開始選擇以油畫感的視覺風格繪製，重組劇中關鍵片段與情緒瞬間，畫面介於寫實與抽象之間，像記憶殘影，也像尚未說出口的感受。

片頭標準字落在「情慾流沙」的意象中，引領角色走向那朵盛放的彼岸花。

一片由慾望流動而成的深紅沙海，一條由兩人側臉勾勒出的白色曲線蜿蜒其間。

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